Mature Dreier

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Mature Dreier

While the French name designates a company with anonymous partners, the inclusion of "Inc. The paradox of the "named unnamed" befit the Dada sensibilities of Duchamp and Man Ray.

William Clark writes that Dreier "wanted to call it 'The Modern Ark,' perhaps symbolizing her shipping an unrivalled collection of European Modernism over the Atlantic It is worth noting that both of Dreier's collaborators, Duchamp and Man Ray, were most closely associated with Dada.

It hosted the first American one-person shows of Kandinsky , Klee , Campendonk, and Leger. In line with her educational mission, during the s and until the end of her life, Dreier also wrote and lectured on modern art in diverse settings, including the Bauhaus and Black Mountain College , an experimental school founded by her nephew.

Her books include Western Art and the New Era: An Introduction to Modern Art and the first book ever to be published in English on Vincent Van Gogh The exhibition, with over works by over artists from 23 countries, was the largest exhibition of modern art since the infamous Armory Show.

Instead of adopting the traditional, vertical-installation style of the salon, Dreier decided to exhibit works in a single row and at eye level - an innovative display at the time.

What is more, the works of artists of "major" and "minor" significance were exhibited side by side, and national boundaries were completely disregarded.

Finally, Dreier's display included four rooms which reproduced domestic interiors - a reception, a library, a dining room, and a bedroom - showcased examples of modern painting, showing visitors how one might live with the abstract art that they found difficult and sometimes incomprehensible.

She proclaimed, "Unless we have Art in home, we cannot learn its language. In the six weeks that the International Exhibition was open, between November and January , at least 53, visitors made their way through the Brooklyn Museum's doors to see it.

While the exhibition was influential in introducing a new generation to modernism, the importance of the show has been overshadowed by the founding of the Museum of Modern Art in , but in fact, the young curator Alfred Barr visited the Brooklyn show and took home many important lessons about the display of the new, radical art.

In November , the Museum of Modern Art opened its doors to the New York public for the first time. This sentiment was expressed in many occasions; in a letter to Duchamp, for example, she described MoMA as possessing "neither love nor intelligence regarding art.

Up until that point, the organization had operated from a number of rented offices in New York and borrowed exhibition spaces.

Dreier thus imagined turning her Haven home into a Country Museum, describing her vision as one of "Art in the home and the garden And so it was not difficult for her to imagine that The Haven could become a museum proper.

Dreier devoted a significant amount of work to realize her dream in the late s. In , Hekking "authored a twelve-page proposal," as Vayzman documents, "outlining the project's aims, ultimate goal and financial strategies.

Dreier's financial situation at this point in time, however, made the realization of her museum difficult. Yet, the crippling economic crisis of the s coupled with the fact that Dreier had spent a large portion of her money on art meant that she needed external support to accomplish her goals.

Dreier was already, at this point, showing signs of illness. While suffering from serious nonalcoholic cirrhosis of the liver, she lived for ten more years and died in In the aforementioned Yale University catalogue commemorating Dreier shortly after her death, Duchamp provided the dedication, praising Dreier as a "pioneer collector of modern art," someone with "infallible taste" and a "clairvoyant mind.

While Katherine Dreier never achieved the recognition of her contemporaries as an artist, she was and is still considered today to be one of America's greatest collectors and educators of art in the 20 th century.

Following Dreier's death, art critic Aline Saarinen wrote, "She believed in reincarnation, but it would seem that her soul has not yet found its new lodging.

Modern Art has known no other so fervent a propagandist. As George Heard Hamilton noted, "Dreier belonged to the notable company of American artists and collectors who created the conditions for a serious and meaningful understanding of the modern movement in painting and sculpture Without them the enthusiastic appreciation of modern art which now distinguishes American culture from that of other countries would have come much later and perhaps with less effect.

Content compiled and written by Lilly Markaki. Edited and revised, with Summary and Accomplishments added by Valerie Hellstein. The Art Story.

Ways to support us. Limited freedom is based on what you can reasonably expect from life. Total freedom begins by looking on life as a field of infinite possibilities.

It takes some persuasion to make total freedom seem like more than a pipe dream, however. Is it even desirable to feel totally open, unbounded, and free of boundaries to keep us safe?

A key issue here is spontaneity. Spontaneity is without rules, which seems like a recipe for anarchy. Rule enforcement is the surest way to keep people in line, or so the rule enforcers believe.

Consider the extreme example of applying to the bank for a personal loan in China. If you want a loan there, you can use your smartphone, and online lending agencies check you out electronically, using data stored in the cloud.

An applicant gets accepted or rejected for a loan in one-tenth of a second, after the lending agency has checked out 5,!

Mature Dreier

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